Weatherman (2026)
A collaborative artwork between Jesperish and Movsum
This artwork examines the multiple dimensions within which contemporary individuals exist. In daily life, we perceive the world through many digital interfaces, screens, and visual systems that shape how space appears to us, each offering its own perspective. The viewer is immersed in a state of visual and informational saturation, where multiple images and perspectives overlap and coexist.
Movsum and Jesperish share a unified vision an intuitive understanding of art as an extension of personal growth and self-discovery. They believe that art should flow seamlessly with the journey toward greater consciousness, fostering the expansion and exploration of the mind. Their collaborative practice embraces boundless, out-of-the-box thinking and the continuous shifting of perspectives a shared spiritual experience that unites them in creation.
Digital Creation process (Movsum)
Digital structures (Movsum)
Digital Creation process (Jesperish)
Handdrawn Sketch (Jesperish)
They investigate the relationship between human perception and the digital environment through experimental digital image-making. Movsum’s practice centers on the development of digital brush systems that operate as mediators in a dialogue with the computational environment, questioning how the computer perceives and processes visual art. Jesperish, in contrast, examines the extent to which digital media can translate the energetic and atmospheric qualities of human environments, seeking to approximate physical and spiritual experience within a surreal visual space.
Grounded in hand-drawn sketches and digitally constructed brushes, both artists approach the computer not as a neutral instrument but as an active site of negotiation between human intuition and algorithmic structure. Their collaboration situates digital creation as a field of material and perceptual experimentation, exploring how human experience and machine perception can converge to produce a shared visual language.
The Process
Transnational Systems
Jesperish (Netherlands) & Movsum (Azerbaijan)
This collaborative work by Jesperish and Movsum explores how the international spirit of modernism continues to resonate in the digital age. Drawing inspiration from the experimental educational models of Bauhaus and Vkhutemas, the piece reflects on how early twentieth-century avant-garde movements fostered artistic exchange across political and cultural boundaries—an idea that finds new relevance in contemporary global collaboration.
The connection between the Netherlands and Azerbaijan within this context emerges through their shared relationship to modernist networks. Dutch artists played a crucial role in shaping Bauhaus thinking through figures such as Theo van Doesburg, whose ideas from the De Stijl movement introduced principles of geometric abstraction, reduction, and spatial clarity that deeply influenced Bauhaus design education. At the same time, artists and designers connected to the Soviet avant-garde—associated with institutions such as Vkhutemas and the Constructivist movement led by figures like El Lissitzky—were actively exchanging ideas with Western European modernists through exhibitions, journals, and collaborations.
Dutch Modernism & Neo‑Plasticism (De Stijl / Bauhaus Influence)
Constructivist Visual Language (Soviet Avant‑Garde)
Azerbaijan, historically situated within the cultural sphere of the Soviet Union, inherited aspects of this Constructivist and modernist legacy through architecture, design, and artistic education. The Netherlands, meanwhile, remained deeply connected to the Bauhaus lineage through its influence on architecture, graphic design, and urban planning throughout the twentieth century.
Below are four examples of inspiring Modernist influences from the hometowns of Movsum and Jesperish. These architectural environments shaped their lives and strongly influenced their collaborative work.
Van Nelle Factory in Rotterdam, Netherlands
In this collaboration, these two historical trajectories converge. By working across geographical and cultural boundaries, Jesperish and Movsum mirror the international networks that once connected artists across Europe. Their digital environment—composed of grids, swarming vectors, and organic structures—translates the utopian ambitions of modernism into a contemporary visual language shaped by data flows, algorithmic systems, and online collaboration.
The work therefore not only references modernist aesthetics but also reenacts its core principle: that artistic innovation and communication emerges through dialogue across cultures, technologies, and shared visions of the future.
Fragment
This is not the first time Jesperish and Movsum have collaborated. Their previous project, FRAGMENT, served as a strong starting point with a similar background story and sparked the motivation to create again. FRAGMENT ( 2023 ) has been collected by 10F1, alongside works by modernist and digital artists such as Beeple, Sasha Stiles, Refik Anadol, Sam Spratt, and others. Fragment is now owned by @VonMises14 .
FRAGMENT (2023)
WEATHERMAN 2026
12876 X 14999px
.png Digital / Mixed Media
Contact:
Jesperishart@outlook.com
www.jesperish.com
instagram.com/jesperish/
x.com/Jesperish
wmovsum.com
instagram.com/movsum.w/
x.com/w_movsum